Director's Notes: When I first showed this script to my co-star Aaron Feldman, he asked me how I planned to make the time machine. I told him I would build a humourously cheap one; basically a cardboard box with buttons and lights taped to it. He joked that it should look like something out of a 1950s B-movie. And, with that, the Max Fischer in me was unleashed and I became insanely determined to build something that would actually take time. It wouldn't look like a real Sci-Fi movie time machine, but it would look like a kid trying to make a Sci-Fi movie time machine. I and my resident art director Karen Harnisch began furiously sketching ideas, watching lots of older movies for design ideas and gathering assorted gadgets for the device. However, the filmmaking itself was the opposite; it was an exercise in pure guerilla resourcefulness and almost every shot was done in one or two takes. In a way, it was a liberating experience; to build and prepare for weeks and weeks and then shoot the thing really, really quickly, comparable to spending lots of time molding and shaping a child and then just shipping it off to a Swiss boarding school. I'll let you be the judge of my parenting. Whatever the case, something tells me you haven't seen the last of that time machine... - Daniel Warth